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Ames , M. Who will speak for the lamb? Ammon, G. Amodio, E. Sguardi incrociati. Ragusa : Sicilia punto L. Ancelovici, M. L'archipel identitaire. Anderlini, S. Anderson, A. Ethnic identity retention in francophone communities in Saskatchewan : A sociological survey. Anderson , A. Struggling for wholeness. Nashville , Tenn. Anderson, B. Long-distance nationalism. World capitalism and the rise of identity politics. Anderson, E. New York : Russell Sage Foundation. Anderson, J. Going through the gate. New York : Dutton Children's Books.

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Berlin New York : Springer-Verlag. Arenas, F. Utopias of otherness. Nationhood and subjectivity in Portugal and Brazil. Arendt, H. The Jew as pariah. Jewish identity and politics in the modern age. Aresti, N. Los ideales de feminidad y masculinidad en el primer tercio del siglo XX. Arfuch, L. Identidades, sujetos y subjetividades. Buenos Aires : Prometeo Libros. Arfwedson, A. Simposi internacional. Argones, N. Arias Bravo, V. La identidad del democratacristiano. Arlow, J.

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Gender disorders and the paraphilias. Madison : International Universities Press. Arnold, D. Cultural identities and the aesthetics of Britishness. Arnold, K. Das dargestellte Ich. Bochum : Winkler. Arnot, M. Reproducing gender? Essays on educational theory and feminist politics. London New York : RoutledgeFalmer. Selected critical essays on educational theory and feminist politics. Aronowitz, S. The politics of identity. Class, culture, social movements. Arriola, A. Identidad y racismo en este fin de siglo. Arroyo, R. Home movies of Narcissus.

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Orlando : Academic Press. Self and identity.

Why Don Quixote is the Best Work of Fiction According to 100 Authors

Fundamental issues. New York : Oxford University Press. Social identity, intergroup conflict, and conflict reduction. Ashraf, A. Ethnic identity and national integration. Askham, J. Identity and stability in marriage. Assmann, J. Filosofia e sistema. Assunto, R.

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Urbino: S. Astuti, R. People of the sea. Identity and descent among the Vezo of Madagascar. Atkin, D. The culting of brands. When customers become true believers. New York : Portfolio. Atkins, D.


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  • Passing For Spain Cervantes And The Fictions Of Identity Hispanisms?
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Looking queer. Body image and identity in lesbian, bisexual, gay, and transgender communities. New York : Haworth Press. Atkinson, B. Grey areas. Representation, identity, and politics in contemporary South African art. Attebery, B. Decoding gender in science fiction. Attwood, L. Creating the new Soviet woman. Women's magazines as engineers of female identity, Atwood, M.

Lady oracle. New York : Simon and Schuster. Lady Oracle. Toronto : McClelland and Stewart. New York : Bantam Books. New York : Anchor Books. Aubrey, E. Man's search for himself. Nashville : Cokesbury Press. Auer, P. Code-switching in conversation: Language, interaction and identity.

Auerbach, J. Are we one? Jewish identity in the United States and Israel. Aulich, J. Framing the Falklands War: Nationhood, culture and identity. Milton Keynes England Philadelphia , Pa. Austin, L. Fire by night.

Minneapolis , Minn. Austin-Lett, G. Talk to yourself. Experiencing intrapersonal communication. Avila Palafox, R. Identidades, nacionalismos, y regiones. Ayer, A. Perception and identity. Essays presented to A. Ayer, with his replies. Azar, F. Construction identitaire et appartenance confessionnelle au Liban.

Approche pluridisciplinaire. Paris : Harmattan. Azevedo, J. Porto :. Azoulay, K. Black, Jewish, and interracial. B"rschel, R. Berlin : Philo. Baaz, M. A postcolonial reading of identity in development aid. Babad, E. The social self. Group influences on personal identity. Beverly Hills : Sage Publications. Bach, A. The smartest bear and his brother Oliver. Bachinger, K. Male pretense: A gender study of Sir Philip Sidney's life and texts.

Lewiston , N. Mellen Press. Back, L. The changing face of football racism, identity, and multiculture in the English game. Backes, C. Bacon, J. Life lines. Community, family, and assimilation among Asian Indian immigrants. Badasu, C. Badinter, E. Paris : Editions O. XY, on masculine identity. Baggott, J. The Anybodies. New York : HarperCollins. Bagley, C. Race, education, and identity. Bagwe, A. Of woman caste. The experience of gender in rural India. London Atlantic Highlands , N. Baigell, M. Artist and identity in twentieth-century America.

New York : Cambridge University Press. Bail, G. Bailey, B. Language, race, and negotiation of identity. A study of Dominican Americans. Bailey, J. The man who would be queen. The science of gender-bending and transsexualism. Washington , D. Bailey, R. Gay politics, urban politics. Identity and economics in the urban setting. Bailey-Williams, N. New York : Harlem Moon. Baillie, J. Problems in personal identity. Bainbrigge, S. Bajaj, N. Search for identity in Black poetry. Baker, A. Out of bounds: Sports, media, and the politics of identity. Baker, D. British identities and English Renaissance literature.

Baker, K. Man made. A memoir of my body. New York : Jeremy P. Baker, L. Life in America. Identity and everyday experience. Baker, P. An explanation of how brains think. London , England : Janus. Bakker, C. Imaginatie en de constructie van identiteit. Visies op religieuze vorming. Tilburg : Tilburg University Press. Bakker, J. Fiction as survival strategy. A comparative study of the major works of Ernest Hemingway and Saul Bellow. Amsterdam : Rodopi. Balaghi, S. Reconstructing gender in the Middle East : Tradition, identity, and power. Balart Carmona, C.

Lengua, literatura e identidad. Balbo, L. Problemi di teoria e di ricerca empirica. Baldaro Verde, J. Il transessualismo. Torino : Edizioni Gruppo Abele. Baldez, L. You must have JavaScript enabled in your browser to utilize the functionality of this website. Home Series Hispanisms.

Date - Newest Top Pub. Date - Oldest Top. Miguel de Unamuno, perhaps the most influential author of modern Spain, wrote his Treatise on Love of God at the height of his career after suffering a crisis of religious faith. Learn More. Published: 13th January Published: 4th December Surprised in Translation is a celebration of the occasional and fruitful peculiarity that results from some of the most flavorful translations of well-known authors.

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These translations, Caws avers, can energize and enliven the voice of the original. In eight elegant chapters Caws reflects on translations that took her by surprise. On other occasions, Caws argues, a swerve in meaning—as in Beckett translating himself into French or English—can produce a new text, just as true as the original. Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it.

More to explore Recently published by academic presses. Magic Weapons examines the ways in which Indigenous survivors of residential school mobilize narrative in their struggles for personal and communal empowerment in the shadow of attempted cultural genocide. By treating Indigenous life-writings as carefully crafted aesthetic creations and interrogating their relationship to more overtly politicized historical discourses, Sam McKegney argues that Indigenous life-writings are culturally generative in ways that go beyond disclosure and recompense, re-envisioning what it means to live and write as Indigenous individuals in post-residential school Canada.

He held prestigious posts and lectured throughout Europe and the United States, an activity unusual for an academic of his time. His observations on the changing interests of college students Bob Dylan to Jim Morrison, Fellini to Pasolini are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives.

The life of each man: a myth. The effort of each writer: to give meaning to his myth. Miller University of Chicago Press, " Blank Darkness: Africanist Discourse in French is a brilliant and altogether convincing analysis of the way in which Western writers, from Homer to the twentieth century have. Miller's wide-ranging, incisive, and exact analysis of 'Africanist' discourse, what it has been and what it has meant in the literature of the Western world. Ozouf uses the woman's portrait, traditionally a male genre, to portray ten French women of letters whose lives span the period from the eve of the French Revolution to the resurgence of the feminist movement in the late twentieth century.

Rejecting the male constructions of femininity typical of this genre, Ozouf restores these women's voices in order to study their own often-conflicted attitudes toward education, marriage, motherhood, sex, and work, as well as the dilemma of writing in a literary world that did not support women's work. Ozouf claims that a uniquely French feminism informed these women's lives, one that stems from the great egalitarian spirit of the French Revolution and is more tolerant of difference than its American counterparts. She argues that as a result, modern French culture has not isolated women from men in the same ways as American and British cultures have done.

But colonial immigrants and their French offspring have been a significant presence in the Parisian landscape since the s. Spanning the decades from the post—World War II era to the present day, Amine demonstrates that the postcolonial other is both peripheral to and intimately entangled with all the ideals so famously evoked by the French capital—romance, modernity, equality, and liberty. In their work, postcolonial writers and artists have juxtaposed these ideals with colonial tropes of intimacy the interracial couple, the harem, the Arab queer to expose their hidden violence.

Amine highlights the intrusion of race in everyday life in a nation where, officially, it does not exist. Bloch has attempted to establish what he calls a 'literary anthropology. It seems to me that Mr. Bloch has completely achieved this ambition. Stated simply, and in terms which do justice neither to the density nor the subtlety of his argument, Bloch's thesis is this: that medieval society perceived itself in terms of a vertical mode of descent from origins.

This model is articulated etymologically in medieval theories of grammar and language, and is consequently reflected in historical and theological writings; it is also latent in the genealogical structure of the aristocratic family as it began to be organized in France in the twelfth century, and is made manifest in such systems of signs as heraldry and the adoption of patronymns.

It is an ingenious and compelling synthesis which no medievalist, even on this side of the Atlantic, can afford to ignore. Everyone believed heretics existed, but no one believed himself or herself to be a heretic, even if condemned as such by representatives of the Catholic Church. Those accused of heresy, meanwhile, maintained that they were the good Christians and their accusers were the false ones. Exploring the figure of the heretic in Catholic writings of the twelfth and thirteenth centuries as well as the heretic's characterological counterpart in troubadour lyrics, Arthurian romance, and comic tales, Truth and the Heretic seeks to understand why French literature of the period celebrated the very characters who were so persecuted in society at large.

Karen Sullivan proposes that such literature allowed medieval culture a means by which to express truths about heretics and the epistemological anxieties they aroused. The first book-length study of the figure of the heretic in medieval French literature, Truth and the Heretic explores the relation between orthodoxy and deviance, authority and innovation, and will fascinate historians of ideas and literature as well as scholars of religion, critical theory, and philosophy. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism. Cowell's original treatment of the medieval tavern as a counterpoint to orthodox institutions considers such delicious transgressions as drinking, gambling, prostitution, theft, usury, and "foile" a peculiar combination of madness and sinfulness.

This innovative study of both market-place values and literary culture unveils a raucous culture opposed to the dominant models of society coming out of the Augustinian tradition. Cowell contrasts the literary domains of the carnal and the orthodox and innovatively assigns physical space to each. The literature of the tavern is shown to represent the possibility of escape from ecclesiastical models of economic and literary exchange that insisted on equality, utility, and charity by offering a vision of exuberant excess.

Cowell concludes that drama, poetry, and other secular texts, when considered as a whole, are ultimately complicit in a revolution favoring an ethic of profit. Drawing on recent work in medieval literature, history, popular culture, gender studies, and sign theory, Andrew Cowell employs a wide range of traditional and, until now, little known sources to show the unity and importance of a countercultural literary mode.

Results by Library of Congress Code. When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men and more rarely, women. It was not until the s that African American superheroes such as Luke Cage, Blade, and others emerged.

But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry.

Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

In many ways, twentieth-century America was the land of superheroes and science fiction. From Superman and Batman to the Fantastic Four and the X-Men, these pop-culture juggernauts, with their "powers and abilities far beyond those of mortal men," thrilled readers and audiences—and simultaneously embodied a host of our dreams and fears about modern life and the onrushing future. But that's just scratching the surface, says Jeffrey Kripal. In Mutants and Mystics , Kripal offers a brilliantly insightful account of how comic book heroes have helped their creators and fans alike explore and express a wealth of paranormal experiences ignored by mainstream science.

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Expanded consciousness found its language in the metaphors of sci-fi—incredible powers, unprecedented mutations, time-loops and vast intergalactic intelligences—and the deeper influences of mythology and religion that these in turn drew from; the wildly creative work that followed caught the imaginations of millions. Moving deftly from Cold War science and Fredric Wertham's anticomics crusade to gnostic revelation and alien abduction, Kripal spins out a hidden history of American culture, rich with mythical themes and shot through with an awareness that there are other realities far beyond our everyday understanding.

A bravura performance, beautifully illustrated in full color throughout and brimming over with incredible personal stories, Mutants and Mystics is that rarest of things: a book that is guaranteed to broaden—and maybe even blow—your mind. Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated.

The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.

They offer a scathing indictment of Republicans, Democrats, and the self-proclaimed greatest country on earth. Garcia reconstructs pivotal moments in history—such as U. His cartoons are equally critical of both political parties and of both the United States and Mexico—lobbing criticism and satire in every direction. This study offers a critical examination of the work of Gilbert and Jaime Hernandez, Mexican-American brothers whose graphic novels are highly influential. They have since published in more mainstream venues but have maintained an outsider status based on their own background and the content of their work.