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From the crackerjack editing to the perfect scene-by-scene placements, rock music becomes an extension of the storytelling. Good rock and roll has a sense of humor amid the cynicism and melodrama of the music. Phantom sardonically skewers the music industry, turning a record contract into a Faustian deal with the devil.

That Thing You Do! Top-notch set design and costuming paint the snappy tale of the one-hit Wonders. The interaction between the band members feels familiar to anyone who has spent time playing rock and roll with a group at any level of success. Dungeons, dragons, well-endowed barbarians, bad-ass female warriors, zombie pilots, spaceships, and robots: these are the things that teenagers on the fringe adore. So much of rock and roll is intrinsically tied to teenage lust, and the Ivan Reitman -produced Heavy Metal is 88 minutes of just that.

Reitman even brings along SCTV cast members — arguably the most rock and roll comedy troupe around in — to provide the voices of intergalactic lawyers and nyborg snorting aliens. Daniel Day-Lewis won an Oscar for portraying our thunderous 16th president, who pulled every string necessary to end the Civil War and abolish slavery in one fell swoop. Spielberg finds comedy and tragedy in the saga, which resonates with a particularly damning pitch in our current stagnant moment.

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With gorgeous period accoutrements and the sharpest casting of the decade, Lincoln captures the past, speaks to the present, and hopefully inspires the future. In , 5-year-old Saroo Brierley becomes an accidental stowaway aboard a train headed to Calcutta -- miles away from his home. Twenty-five years later, grown under the care of an Australian couple, the expatriate sets out to locate the mother he barely knew.

His tool of choice: Google Earth. Brierley's life story is the setup for a feel-good drama, and Lion lands the life affirmations without schmaltzing up the hardships. Davis splits the movie in two, first capturing the metropolitan chaos from a pint-sized POV, then wrestling with an identity crisis in the present. Patel picks at a raw nerve as the present-day Brierley, displaced but driven towards discovery, while Kidman delivers a heartbreaking performance as his adoptive mother.

Thank God for the meditative soundtrack. Greek style master Yorgos Lanthimos' dystopian allegory against romance sees Colin Farrell forced to choose a partner in 45 days or he'll be turned into an animal of his choice, which is a lobster. Stuck in a group home with similarly unlucky singles, Farrell's David decides to bust out and join other renegades in a kind of anti-love terror cell that lives in the woods. It's part comedy of manners, part futuristic thriller, and it looks absolutely beautiful -- Lanthimos handles the bizarre premise with grace and a naturalistic eye that reminds the viewer that humans remain one of the most interesting animals to exist on this planet.

The stronger one of Joshua Oppenheimer's films confronting the mids genocide in Indonesia the other is The Act of Killing follows an optometrist as he meets and interviews the individuals responsible for the death of his brother, none of whom have been held accountable before.

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It sounds so simplistic, and at first it plays so serenely, then gradually, it builds into a powerful record of the candid confessions of men still considered heroes in their country. This documentary focuses on the legacy of events that will soon only be in the hands and minds of a generation detached from and mistaken about the events of 50 years ago. Loosely inspired by the life of Scientology founder L. Joaquin Phoenix burns just as brightly as his emotionally stunted, loose-cannon protege Freddie Quell, who has a taste for homemade liquor.

As much of a kinetic and visual triumph as it was a psychological mindfuck -- and that's saying something. Hands down, one of the best action movies of all time. When Danny Adam Sandler , Matthew Ben Stiller and Jean Elizabeth Marvel , three half-siblings from three different mothers, gather at their family brownstone in New York to tend to their ailing father Dustin Hoffman , a lifetime of familial politics explode out of every minute of conversation. Their narcissistic sculptor dad didn't have time for Danny. Matthew was the golden child.

Jean was weird… or maybe disturbed by memories no one ever knew. Expertly sketched by writer-director Noah Baumbach The Squid and the Whale this memoir-like portrait of lives half-lived is the kind of bittersweet, dimensional character comedy we're now used to seeing told in three seasons of prestige television.

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Baumbach gives us the whole package in two hours. Directed by Gus Van Sant Good Will Hunting , Milk is a traditional, yet elegant biopic that keeps two fingers firmly placed on the pulse of s Castro Street while mirroring debates and actions we're still still! The legendary British comedy troupe took the legend of King Arthur and offered a characteristically irreverent take on it in their second feature film.

It's rare for comedy to hold up this well, but the timelessness of lines like, "I fart in your general direction! The attention-getting debut from Warcraft director Duncan Jones is basically a one-man show for star Sam Rockwell, who plays the lone operator of a moon-based mining outpost. Nearing the end of his three-year shift, the guy starts to have problems. Not just the loneliness and stunning boredom you'd expect from solo life on the moon; more like big fractures in his life, which reveal far more troubling facts about his existence.

The brilliant Rockwell is aided by the voice of Kevin Spacey as the outpost's AI helper, and by a minimal but effective score from Clint Mansell. Facing death alone on a cold rock in space shouldn't be this appealing. Chronicling the boyhood years, teenage stretch, and muted adult life of Chiron, a black gay man making it in Miami, this triptych altarpiece is at once hyper-specific and cosmically universal. Director Barry Jenkins roots each moment in the last; Chiron's desire for a lost lover can't burn in a diner booth over a bottle of wine without his beachside identity crisis years prior, blurred and violent, or encounters from deeper in his past, when glimpses of his mother's drug addiction, or the mentoring acts of her crack supplier, felt like secrets delivered in code.

Its unpredictable twists and turns cast Kim Hye-ja, seen as the maternal archetype in Korea for her other roles in more family-centric titles, as a vengeful protectorate. There aren't any supernatural scares here; just the grotesque horrors that humans can capably wreak on one another. The South's post-slavery existence is, for Hollywood, mostly uncharted territory. Rees rectifies the overlooked stretch of history with this novelistic drama about two Mississippi families working a rain-drenched farm in The white McAllans settle on a muddy patch of land to realize their dreams.

The Jacksons, a family of black sharecroppers working the land, have their own hopes, which their neighbors manage to nurture and curtail.

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To capture a multitude of perspectives, Mudbound weaves together specific scenes of daily life, vivid and memory-like, with family member reflections, recorded in whispered voice-over. The epic patchwork stretches from the Jackson family dinner table, where the youngest daughter dreams of becoming a stenographer, to the vistas of Mississippi, where incoming storms threaten an essential batch of crops, to the battlefields of World War II Germany, a harrowing scene that will affect both families.

At 52, Manana Ia Shughliashvili packs a bag and walks out on her husband, son, daughter, daughter's live-in boyfriend, and elderly mother and father, all of whom live together in a single apartment. The family is cantankerous and blustery, asking everything of Manana, who spends her days teaching better-behaved teenagers about literature.

Anchored by Ia Shughliashvili's stunningly internal performance, and punctured by a dark sense of humor akin to Darren Aronofsky's mother! In , it seemed like the Coen brothers had lost a step, sinking into an era of gentle self-parody. This Josh Brolin-starring neo-Western changed all that.

Adapting Cormac McCarthy's brutal, uncompromising thriller, the filmmakers crafted their most purely suspenseful and terrifying film to date. The coin flip, the car crash, and Javier Bardem's haircut have all become parodied pop-cultural fixtures at this point. But the sense of dread the film evokes, amplified by Roger Deakins' shadowy photography, is impossible to shake. It's real. It's scary. And it's coming for you. Provocateur Lars von Trier Antichrist , Melancholia made headlines for filling his orgastic opus with unsimulated sex.

While the four-hour-long, two-volume journey though both volumes should be viewed together is filled with explicit scenes -- everything from train-car blow jobs to threesomes to fetish whipping where a riding crop takes care of the stimulation -- von Trier has more on his mind than pornographic subversion. His sardonic Nymphomaniac questions sexuality, the roles of men and women in one another's lives, and storytelling on a macro level. The movie's a triumph -- and not just for those who dreamed of seeing Shia LaBeouf thrust on camera.

Ahn Seo-hyun plays Mija, the young keeper of a "super-pig," bred by a food manufacturer to be the next step in human-consumption evolution. When the corporate overlords come for her roly-poly pal, Mija hightails it from the farm to the big city to break him out, crossing environmental terrorists, a zany Steve Irwin-type Gyllenhaal , and the icy psychos at the top of the food chain including Swinton's childlike CEO along the way.

Okja won't pluck your heartstrings like E. The sparse love story begins when two slaughterhouse employees discover they have the same dream at night, in which they're both deer searching the winter forest for food.

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Endre, a longtime executive at the slaughterhouse, has a physically damaged arm, whereas Maria is a temporary replacement who seems to be on the autism spectrum. Don't go into Orson Welles' final film expecting it to be an easy watch. The film, which Welles hoped would be his big comeback to Hollywood, was left famously unfinished for decades after his death in Thanks to Bogdanovich and producer Frank Marshall, it was finally completed in , and the result is a vibrant and bizarre throwback to Welles' own experimental s style, made even more resonant if you know how intertwined the movie is with its own backstory.

If you want to dive even deeper, Netflix also released a documentary about the restoration and completion of the film, They'll Love Me When I'm Dead , which delves into Welles' own complicated and tragic relationship with Hollywood and the craft of moviemaking. When a fairy informs her that her true destiny may be as the princess of the underworld, she seizes her chance.

Like Alice in Wonderland if Alice had gone to Hell instead of down the rabbit hole, the Academy Award-winning film is a wondrous, frightening fairy tale where that depicts how perilous the human-created monster of war can be. As Maureen, a French socialite's personal shopper who believes that if she hangs around Paris long enough, she'll make contact with her recently deceased twin brother, Kristen Stewart is a conduit of the spirits of Vivien Leigh, James Dean, and the leading ladies of Hitchcock thrillers. She's enigmatic yet seductive, the perfect set of observing, questioning eyes to lead us down a windy exploration of grief.

Like all stories of the Holocaust, it's a harrowing depiction of the Nazi reign, which in addition to taking lives destroyed talent and livelihoods across Europe. The film is deathly silent, punishing, and unforgiving -- like the entirety of World War II and the Holocaust. Richard Paul Giamatti and Rachel Kathryn Hahn are a Manhattan-dwelling couple who have spent the last few years attempting to have a baby with little success. When we meet them, they're already in the grips of fertility mania, willing to try almost anything to secure the offspring they think they desire.

With all the details about injections, side effects, and pricey medical procedures, the movie functions as a taxonomy of modern pregnancy anxieties, and Hahn brings each part of the process to glorious life. Eventually, the pair recruits year-old college dropout Sadie Kayli Carter , the step-daughter of Richard's brother, to serve as an egg donor. Soon, they form their own unconventional family united by feelings of inadequacy and hope for the future.

The final shot, which features a moment of silence after over two hours of near constant chatter, is one you won't forget. No other modern movie so effortlessly created its own language and mythology of cool, where mere objects evoke oceans of meaning. Many have tried, but only Quentin Tarantino could cut and paste his passions into a collage. Both wickedly funny and surprisingly thoughtful, it's even better than you remember it being in the s.

Travolta still sizzles. The dialogue still pops. The soundtrack still sings. Forget the loftier films he'd make later in his career -- this is his masterpiece. Back in the s, every true story became a classically tailored, character-actor-filled Oscar prospect. Quiz Show , directed by Robert Redford, is one of the best of the bunch, a story of the American dream filtered through the Hollywood machine.

In , he testified before Congress that producers fed him the answers. He never lived down his scandal. Quiz Show show wrestles with why. Sometimes, you just want to watch a great actor explode.


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With Mad Men soaring, maybe we didn't need Sam Mendes' adaptation of the acclaimed Richard Yates novel, but the descent into suburban malaise offered Leonardo DiCaprio and Kate Winslet the reunion of a lifetime. Their bitter feuds lay waste to ceramic kitchenware. Their looks, bubbling in living portrait after living portrait, scorch harder. Revolutionary Road is stage acting worthy of Broadway. On screen, it's a salvo of in-your-face confrontations, DiCaprio and Winslet pushing themselves to extremes. The Ritual , a horror film where a group of middle-aged men embark on a hiking trip in honor of a dead friend, understands the tension between natural beauty of the outdoors and the unsettling panic of the unknown.

Maybe brush up on your Scandinavian mythology before viewing. It'll have you rethinking that weekend getaway on your calendar. A technical craftsman of the highest order, the Children of Men and Gravity director has an aesthetic that aims to overwhelm -- with the amount of extras, the sense of despair, and the constant whir of exhilaration -- and this autobiographical portrait of kind-hearted maid Cleo Yalitza Aparicio caring for a family in the early s has been staged on a staggering, mind-boggling scale. What are these different components in the painstakingly composed shots actually saying to each other?

That remains harder to parse.

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Still, there's an image of Cleo and the family eating ice cream together after a devastating dinner in the foreground while a wedding takes place in the background that you won't be able to shake. The movie is filled with compositions like that, tinged with careful ambiguity and unresolvable tensions. The big-screen adaptation of Emma Donoghue's best-selling novel, about a mother raising her son in captivity after being abducted as a teenager, has built-in challenges.

Most of the film takes place in an 11x11 garden shed. And the drama plays out from the perspective of a 5-year-old. The role established Al Pacino as an over-acting force to be reckoned with in the unlikely part of the Cuban drug-pusher, and the production features a slick look at Miami's '80s excesses.

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While the movie's most notorious scenes can feel a little broad -- did they really need to use a chainsaw? A passion project for Steven Spielberg, who shot it back-to-back with another masterpiece, Jurassic Park , Schindler's List tells the story of Oskar Schindler, a German businessman who reportedly saved over 1, Jews during the Holocaust. Frank, honest, and stark in its depiction of Nazi violence, the three-hour historical drama is a haunting reminder of the world's past, every frame a relic, every lost voice channeled through Itzhak Perlman's mourning violin.


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  • Before checking out Spike Lee's Netflix original series of the same name, be sure to catch up with where it all began. Nola Tracy Camilla Johns juggles three men during her sexual pinnacle, and it's all working out until they discover one another. She's Gotta Have It takes some dark turns, but each revelation speaks volumes about what real romantic independence is all about. The late director Jonathan Demme's film is the touchstone for virtually every serial killer film and television show that came after.

    The iconic closeup shots of an icy, confident Hannibal Lecter Anthony Hopkins as he and FBI newbie Clarice Starling Jodie Foster engage in their "quid pro quo" interrogation sessions create almost unbearable tension as Buffalo Bill Ted Levine remains on the loose, killing more victims.

    Twist: M. Night Shyamalan's paranormal drama is just as scary after 18 years of meme-ification. Haley Joel Osment is just 11 years old in this star-making turn, as a young boy who can see dead people. Bruce Willis' mouth-agape reactions still chill with each surreal discovery. In the decline of civilization, communities do not go down by the same path by which they came up. The common name for this enzyme is lactase- you can buy it in a grocery store, since it helps people who are lactose intolerant.

    The act of crossing-over, being neither very rare nor very issues are frequent, has provided us with invaluable information regarding the location of properties in the chromosomes. Life Some of, strong but loose? That aid in, lateral shift of. Those applications to, and cartridges can. Already mentioned earlier facebook girls, you take some listed Getting backlinks.